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[it] offered highly charged acting atop a deft, tuneful score....Ching, General/Artistic Director of Opera Memphis, studied with Robert Ward and Carlisle Floyd, and the unashamed flow of natural, singing melody ...

borrows snatches of Puccini tunes and weaves them into his own conservative-eclectic idiom, tossing in bits of American pop ... The vocal writing is expert, the orchestration light enough to allow the singers to project the text clearly.Dan Leeson in San Francisco Classical Voice wrote that "The Ching/Wolfson collaboration is simply marvelous....Ching is a gifted composer capable of turning out well-crafted music, very romantic when the occasion dictates and frightening when that is called for." Metro Silicon Valley analysed the music in great depth, concluding that "[T]he technique is adroit, fluid and winningly integrated.He started composing as a child, and by the time he reached high school he had studied composition at Interlochen and also had private composition instruction.Ching began his career as a National Opera Institute apprentice 1980–1981 at the Houston Grand Opera Studio, where he was involved in the company's productions and continued his composition studies with composer Carlisle Floyd.

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